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Color Theory 2.0: PRISM Quartet with Susie Ibarra and Tyshawn Sorey

Date: Sunday, June 3, 2018
Time: 3:00 PM
Calendar6/3/2018 12:00:00 PM6/3/2018 12:00:00 PMAmerica/Los_AngelesColor Theory 2.0: PRISM Quartet with Susie Ibarra and Tyshawn Sorey At Christ & St. Stephen's Church120 W. 69th Street, New York, NY 10023Website: https://www.tix.com/Event.aspx?EventCode=1035680FalseMM/DD/YYYY

Christ & St. Stephen's Church
120 W. 69th Street
New York, NY 10023
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Phone: (215) 438-5282
Email: info@prismquartet.com
Website: http:// https://www.prismquartet.com/concerts/color-theory-2-0/
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Description
Color Theory 2.0: PRISM Quartet with Susie Ibarra and Tyshawn Sorey

The PRISM Quartet presents Color Theory 2.0: Saxophones and Percussion following the 2017 release of the group’s critically acclaimed COLOR THEORY album with So Percussion and Partch (XAS Records).

Color Theory 2.0 spotlights Susie Ibarra and Tyshawn Sorey, groundbreaking percussionist/composers who join PRISM as soloists in world premieres of their own works at The DiMenna Center for Classical Music in New York City.

Both Ibarra and Sorey share PRISM’s dedication to crossing musical boundaries; they bring a vast array of cultural, compositional, and improvisatory practices to the project. Color Theory 2.0 also features world premieres of stand-alone saxophone quartets by Elizabeth Hoffman, Professor of Composition at New York University, and Max Chung, winner of the annual PRISM Quartet/Walden School Young Composer Commissioning Award.

WHAT IS “COLOR THEORY?” IS THIS A VISUAL ARTS PROJECT?

Color Theory 2.0 is a music project inspired by science and the visual arts. In the 1670s, Sir Isaac Newton discovered the origin of color by shining a beam of light through a prism, splitting it into the colors of a rainbow. Throughout the centuries, visual artists have developed a body of knowledge (color theory) about mixing pigments to create color combinations that provoke powerful emotional responses.

We are using the idea of “color” as a framework to explore the spectra that make up instrumental sound, to create a new body of music combining saxophones and percussion. Color Theory pioneers new possibilities of orchestration and musical color with first-time collaborations that represent enormous unexplored potential.

ACKNOWLEDGEMENTS
Color Theory 2.0 is made possible with generous support from the William Penn Foundation, the Alice M. Ditson Fund of Columbia University, and Conn-Selmer. The New York performance is made possible with additional support from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. PRISM is a member of New Music USA’s New Music Impact Fund, made possible with funding from The Scherman Foundation’s Katharine S. and Axel G. Rosin Fund. Visit PRISM’s New Music USA profile.